'..Domnich inhabited Tatiana completely. She has utter control of phrasing and unforced heft where it matters. Her final moments of intensity were magnificent utterances of desperation. The big houses should pay attention.' 
Rosie Johnston, Opera now, October 2012  more..

'...The charismatic Ilona Domnich made a poised yet sensual Melisande, her soprano both clean-toned and ripely palpitating.'
                                                                                Yehuda Shapiro, Opera 2013

'..I was struck by a  combination of a voice of silken beauty with a powerfully affecting sensitivity. Ilona Domnich gave the most compelling performance of the piece I've ever witnessed: not big in gesture, but minutely observed, utterly credible, and sung with a disarming, jewel-like beauty. I've seen a lot of Voix Humaines...This was the first I've ever known to leave me on the edge of tears. ' Michael White, Opera Now 2008   more..

"...Alan Ewing’s Golaud prowled Minotaur-like in a cavern of misery, crucified by love for Ilona Domnich’s radiant, childlike Mélisande, the most mesmerising, tender and idiomatic impersonation of this role that I have seen."                       Anna Picard, The Independent, 2013