..notably the thoughtful Tatyana of Ilona Domnich, who has a quality of stillness that helps convey the introspective yearning of a girl whose imagination is fired by her reading, and thus, predictably, by the dark and enigmatic Onegin. Better still, Domnich has the ability to colour her already pleasing sound so that it embraces a wealth of feeling, and, by the time Tatyana has married Prince Gremin (a noble Julian Close), she conveys a natural dignity and resolve both in her bearing and her singing..
Guardian

..as Tatiana, the young Russian/Israeli soprano Ilona Domnich triumphed in the role, by turns hesitant, impulsive, rapturous and, finally, icy and imperious. The voice is easy throughout the register, she managed to spin a fabulously gossamer pianissimo line in the descending scales of the letter scene, and produced warm and full-bodied tone whenever called upon to do so... Domnich revealed a steady intensity of character throughout the evening, never lost focus, and produced some technical singing that was a joy to experience close up and personal.
Musicriticism